— Could you be so kind as to turn down that rock “n” roll? I'm preparing for tomorrow's meeting report. — ______________.
A、It's none of you business
B、No, I don't think so
C、Sure. Sorry to disturb you
A、It's none of you business
B、No, I don't think so
C、Sure. Sorry to disturb you
A.It’s none of your business.
B.What are you doing?
C.Sur
D. Sorry to disturb you.
E.No, I don’t think so.
A.Oh, I’m afraid I didn’t do well enough
B.No problem
C.I’m glad I could help
D.It’s not necessary for you to say so
At a party. Adam: This is a great apartment. Tammy: I think so, too. ()? Adam: No, I'm Adam. I came with Carl. I don't really know anyone here. Carl's told me about most of his friends, but I can't match the names with the faces.
A.Excuse me, but do I know you
B.Excuse me, could I know you
C.Excuse me, do you mind telling me your name
D.Excuse me, but do you know me
W: But I' ve been trying to find a new job in another company. You see, I' ve worked here for 3 years without a raise. That' s unfair to me.
Q: What does the woman mean?
(17)
A.She doesn't have a fax machine.
B.She may quit her present job soon.
C.She is tired of her present job.
D.Her phone number has changed.
&8226;You will hear another five recordings. Five people are phoning about conference arrangements.
&8226;For each recording, decide what the speaker's purpose is.
&8226;Write one letter (A-H) next to the number of the recording.
&8226;Do not use any letter more than once.
&8226;After you have listened once, replay the recordings.
A. to request travel information
B. to book a meeting room
C. to postpone an appointment
D. to suggest a future change of venue
E. to ask for a conference programme
F. to cancel a reservation
G. to invite a guest speaker
H. to confirm their attendance
Take the【C4】______example of a hairdryer.
If you are buying a hairdryer, you might【C5】______that you are making the【C6】______buy if you choose one【C7】______look you like and which is also the cheapest【C8】______price. But when you get it home you may find that it【C9】______twice as long as a more expensive【C10】______to dry your hair. The cost of the electricity plus the cost of your time could well【C11】______your hairdryer the most expensive one of all.
So what principles should you【C12】______when you go out shopping?
If you【C13】______your home, your ear or any valuable【C14】______in excellent condition, you'll be saving money in the long【C15】______
Before you buy a new【C16】______, talk to someone who owns one. If you can, use it or borrow it to check if it suits your particular【C17】______
Before you buy an expensive【C18】______, or a service, do cheek the price and【C19】______is on offer. If possible, choose【C20】______three items or three estimates.
【C1】
A.form
B.fashion
C.way
D.method
Tears keep your eyes clean and healthy.They wash away dirt and germs(细菌) just like bath.Your eyes also need tears to keep them wet.And eyes must be wet so that they can move smoothly.Your eyes are busy looking here and there all day long.They move quickly from one thing to another.If you did not have tears, your eyes could not move, and soon you would be blind.
Maybe you do not like tears, but your eyes can not do without them.
(1)The story tells us ____________
A.what makes people blind
B.why people have tears
C.why people cry when they are sad
D.what tears are
(2)Tears help you by __________
A.showing how you feel
B.making your face clean
C.washing things from your eyes
D.making your eyes bright
(3)If your eyes were not wet, you could not _________________
A.look at things clearly
B.laugh and cry
C.keep clean
D.show your feelings
(4)When you are happy or sad, you may _________________
A.look at things quickly
B.wash away dirt and germs
C.have tears in your eyes
D.move your eyes quickly
(5)The sentence“your eyes can’t do without them”means _________________
A.your eyes like having baths very much
B.your eyes like tears very much
C.your eyes can not work without tears
D.your eyes can not open without them
Jenny: Yes,().
Clerk: A deposit account or a current account?
Jenny: Er, I’m not sure.You see, I have monthly remittances sent to me from the Canada Embassy and I’d like to have the money paid into an account.
Clerk:()The bank will give you a check book and you can take money out when you need it.
Jenny: Fine.What do I have to do?
Clerk: Do you have any form.of ID?
Jenny: Will my passport do?
Clerk: Sure.()
Jenny: No problem...It’s done.
Clerk: And could you give me your signature here?
Jenny: Sorry?()
Clerk: Please sign your name in the blank space below.
Jenny: I see.Now here you are.
Clerk: Thank you.It will take a few days for your check book to arrive.()You can inform.your embassy of your account number so that your money can be transferred directly.
Jenny: Thank you very much.
A.Then please just fill in this form.with your name and address in capital letters.
B.I’m afraid I didn’t quite catch that.
C.I’d like to open an account.
D.Then you’d better open a current account.
E.We’ll contact you as soon as it comes.
But that is precisely the trouble; for as far as I can see, Mozart's can. Mozart makes me begin to see ghosts, or at the very least ouija-boards. If you read Beethoven's letters, you feel that you are at the heart of a tempest, a whirlwind, a furnace; and so you should, because you are. If you read Wagner's, you feel that you have been run over by a tank, and that, too, is an appropriate response.
But if you read Mozart's—and he was a hugely prolific letter-writer—you have no clue at all to the power that drove him and the music it squeezed out of him in such profusion that death alone could stop it; they reveal nothing—nothing that explains it. Of course it is absurd(though the mistake is frequently made)to seek external causes for particular works of music; but with Mozart it is also absurd, or at any rate useless, to seek for internal ones either. Mozart was an instrument. But who was playing it?
That is what I mean by the Mozart Problem and the anxiety it causes me. In all art, in anything, there is nothing like the perfection of Mozart, nothing to compare with the range of feeling he explores, nothing to equal the contrast between the simplicity of the materials and the complexity and effect of his use of them. The piano concertos themselves exhibit these truths at their most intense; he was a greater master of this form. than of the symphony itself, and to hear every one of them, in the astounding abundance of genius they provide, played as I have so recently heard them played, is to be brought face to face with a mystery which, if we could solve it, would solve the mystery of life itself.
We can see Mozart, from infant prodigy to unmarked grave. We know what he did, what he wrote, what he felt, whom he loved, where he went, what he died of. We pile up such knowledge as a child does bricks; and then we hear the little tripping rondo tune of the last concerto—and the bricks collapse; all our knowledge is useless to explain a single bar of it. It is almost enough to make me believe in — but I have run out of space, and don't have to say it. Put K. 595 on the gramophone and say it for me.
According to Paragraph 1, Cardus observed that ______ .
A.a composer can separate his language and harmonies from his own mind and sensibility
B.a composer can separate his language and harmonies from the mind and sensibility of an artist
C.some people can separate the language and harmonies of a composer from his mind and sensibility
D.the language, harmonies, rhythms, melodies, colors and texture of a composer cannot be separated from each other